I know, lists like this can be a little tough to swallow. There is always a matter of opinion, and no one can definitively say what the best 5.1 surround sound albums are with absolute certainty. That being said, I’ll share mine anyway! Unfortunately, several of these titles are long out-of-print and can be difficult to obtain on the used market. 

Artist: The Alan Parsons Project
Title: Eye In The Sky
Release Year: 1982 (original). 2017 (5.1 remix)
Format(s): Blu-Ray (DTS-HD)
5.1 Mix By: Alan Parsons
Standout Immersive Track: “Silence & I”

If you’ve got The Alan Parsons Project pegged as “dad-rock,” then it might be the time to alter your opinion. The lush textures shine through in this 5.1 remix spearheaded by Mr. Parsons himself, showcasing the prog-rockers in a way they couldn’t have imagined when recording.

Artist: Roxy Music
Title: Avalon
Release Year: 1982 (original), 2003 (5.1 remix)
Format(s): SACD
5.1 Mix By: Bob Clearmountain
Standout Immersive Track: “Take A Chance With Me”

For this classic album’s 25th anniversary, the original mixing team of producer Rhett Davies and legendary engineer Bob Clearmountain reunited to create a brand-new 5.1 surround remix. There’s a good reason why this SACD is frequently listed for three-figure-sums on the used market. It sounds almost as if the album was deliberately designed this format, with each individual instrument and voice heard with pin-point precision.

Artist: Depeche Mode
Title: Violator
Release Year: 1990 (original), 2006 (5.1 remix)
Format(s): DVD (DTS 96/24), SACD
5.1 Mix By: Kevin Paul
Standout Immersive Track: “Policy Of Truth”

Sometimes the combination of synths and driving riffs just works. Violator has always been one of the pinnacles of this alternative sound, but the 5.1 mix brings out new and exciting details within this production masterclass.

Artist: The Jimi Hendrix Experience
Title: Electric Ladyland
Release Year: 1968 (original), 2018 (5.1 remix)
Format(s): Blu-Ray (DTS-HD, LPCM)
5.1 Mix By: Eddie Kramer
Standout Immersive Track: “1983 (A Merman I Should Turn To Be)”

Guitar-based music often doesn’t need a huge stereo yield to sound good, but Electric Ladyland’s swirling effects are brought to the fore by iconic producer Eddie Kramer in this 5.1 mix. Hendrix as you’ve never heard him.

Artist: The Beatles
Title: Sgt. Pepper’s Lonely Hearts Club Band
Release Year: 1967 (original), 2017 (5.1 remix)
Format(s): Blu-Ray (DTS-HD)
5.1 Mix By: Giles Martin & Sam Okell
Standout Immersive Track: “Strawberry Fields Forever”

In this period, The Fab Four were starting to experiment with more complex instrumentation, recording techniques, and song structures. How exciting, then, that Giles Martin and Sam Okell were able to revisit the original multi-track tapes and remix the album into 5.1 surround for its 50th anniversary.

The 5.1 remix adds considerable spatial depth to the decades-old recording and enhances some of the more-psychedelic flourishes, like the harp rotating around-the-room in “Strawberry Fields Forever” and iconic eerie keys throughout “Lucy In The Sky With Diamonds.”

Artist: Porcupine Tree
Title: Stupid Dream
Release Year: 1999 (original), 2005 (5.1 remix)
Format(s): DVD-Audio
5.1 Mix By: Steven Wilson
Standout Immersive Track: “Pure Narcotic”

No list of this nature could be complete without mentioning Steven Wilson. The British musician/producer is constantly pushing the boundaries of immersive audio with his classic album remixes as well as his own music, both as a solo artist and as part of bands like Porcupine Tree or Blackfield.

Stupid Dream (1999) - one of Wilson’s very first 5.1 projects, yet still among his finest work - effectively expands into surround with all the drama that the format can provide, allowing the listener to pick out all kinds of interesting details like the layered chorus vocals in “Piano Lessons” and shakers in the rear speakers throughout “Pure Narcotic.”

Artist: The Beach Boys
Title: Pet Sounds
Release Year: 1966 (original), 2003 (5.1 remix)
Format(s): DVD-Audio (MLP), Blu-Ray (DTS-HD)
5.1 Mix By: Mark Linnett
Standout Immersive Track: “God Only Knows”

Harmonies. Is there any more to say? The Beach Boys’ harmonies spread throughout the 5.1 soundstage sounds spectacular. The instrumentation doesn’t get as much benefit from the mix, but you do get the impression of being in the room with the band. What more could you want?

Artist: Miles Davis
Title: Kind Of Blue
Release Year: 1959 (original), 2003 (5.1 remix)
Format(s): SACD
5.1 Mix By: Mark Wilder
Standout Immersive Track: “So What”

If you have any interest whatsoever in jazz, this album should be one of your cornerstones. Davis is in scintillating improv form, and - despite the source material being a three-channel master tape - rarely has a surround sound release so vividly transported the listener to the front row.

Artist: Beck
Title: Sea Change
Release Year: 2003
Format(s): DVD-Audio, SACD, Blu-Ray
5.1 Mix By: Elliot Scheiner
Standout Immersive Track: “The Golden Age”

Beck’s “breakup album” is more than just sad ballads, and Radiohead collaborator Nigel Godrich’s incredible production is taken to the next level in Elliot Scheiner’s 5.1 remix. The gorgeous opening track “The Golden Age” sets the stage for what’s to follow, with the electric guitar in the rear left speaker perfectly complemented by keyboards in rear right. If only 2014’s Morning Phase could receive similar treatment.

Artist: Pink Floyd
Title: The Dark Side Of The Moon
Release Year: 1973 (original), 2003 (5.1 remix)
Format(s): SACD, Blu-Ray (LPCM)
5.1 Mix By: James Guthrie
Standout Immersive Track: “On The Run”

Arguably the trademark immersive album, The Dark Side Of The Moon was conceived with surround reproduction in mind. Though the 1970s quadraphonic mix of the album is historic and favored by some collectors, the 30th anniversary 5.1 remix by longtime Floyd collaborator James Guthrie earns my vote.

With swirling synths, atmospheric textures, haunting voices, and iconic riffs, the album has been perfectly adapted to a larger soundstage in exactly the way that the band would have wished for.

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About the Author
Ben is a writer and musician from the UK with a background in music technology. He writes about engineering and production, musicianship and music equipment for a number of publications including his site, Subreel.